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  • The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper
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The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper

Will Lisil October 17, 2026 5 minutes read
The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper

The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper

A Polish Duo Builds Every Sound From an Electric Violin, an Electric Cello and a Looper

Every sound on Winterstellar by Pinky Loops comes from two instruments: an electric violin and an electric cello. The Polish duo of Asia Czerwińska and Marta Lutrzykowska shaped them with effects and stacked them with a looper. Two players end up sounding like a small ensemble. The piece is the first full track on their 2021 album Evolutions, straight after its Prolog. Its music video takes place inside the former Scheibler factory in Łódź.

Pinky Loops are in the playlist below, and the duo’s full run of coverage sits on the Pinky Loops profile. Winterstellar reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Hit play, then keep reading.


The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper
The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper

Pinky Loops Build the Hook of Winterstellar From Two Electric Strings and a Looper

Above all, the looper is the key to the whole recording. On their own website, the duo explain how it works on stage. First, they record a musical motif during the performance and play it back as accompaniment. Then they layer further parts on top. One phrase becomes a bed, a second becomes a counter-line, and the live instruments play over both.

That method has a cost, and they are open about it. Working with a looper, they write, demands enormous rhythmic discipline and regular rehearsal. After all, every layer has to land exactly in time with the one before it. A loop that starts a fraction late stays late for the rest of the piece.

On Winterstellar the method shapes the hook. Looped string parts carry the track, and the duo stack further parts around them. As a result, the texture soon feels much larger than two players. Guitar effects then push both instruments beyond their natural string tone. That is how electronic sounds enter a recording made only on strings.

The result is an electric, instrumental production. It combines classical technique with electronic colour, yet every note in it began on a string. That is the balance the duo set out to strike: classical playing, captured and multiplied by electronics.

The Melody of Winterstellar Carries a Small Quotation From Vivaldi’s Winter in a New Setting

Winterstellar is instrumental, so its melody does the work a lyric would do elsewhere. A small quotation from Vivaldi’s Winter, from The Four Seasons, runs through it. The duo reimagine it as part of their own language, not a set piece dropped into the middle.

That quotation is not a one-off. In the notes to the video, Pinky Loops describe the idea behind Evolutions. Every track contains a looped musical quote from a classical composer, set in a contemporary frame. Track titles such as Bolero, Dumka and Pastorale point to the classical forms the album keeps returning to.

Both players have the training for exactly this kind of work. They started music school at the age of seven, according to their own account. Both also graduated from the Academy of Music in Bydgoszcz before forming the duo in 2017. Their repertoire mixes their own compositions with new arrangements of film music and well-known pop and rock songs.

Watch the video and check the artist’s YouTube channel for more.
The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper
The Room in the Recording: Pinky Loops Layer Winterstellar From Electric Violin, Cello and a Looper

The Structure, From the First Loop to the Factory Floor

The recorded track runs for three minutes and 57 seconds. It follows the logic of the looper, adding layers in sequence. Similarly, the album around it builds from the short Prolog to the six-minute Pastorale that closes it.

The video gives that structure a space. The crew shot it in the industrial interiors of the Scheibler factory in Łódź, in collaboration with Fuzja Łódź. The building carries the name of the textile industrialist Karl Wilhelm Scheibler. Julia Karczewska directed and edited the film and shared camera duties with Anna Łukaszewicz. Meanwhile, Jędrzej Roch Rochecki handled the audio. The raw architecture and vast spaces set the movement of two string players against a monumental, industrial backdrop.

In January 2023 the Brazilian site Music for All described Evolutions as a meeting of classical music and electronics. Its writer noted the electric violins and cellos, played through a looper and guitar effects. The piece also pointed to the video for Navia, which sets the two players against a fencing contest.

The duo have kept the format since. Their single Battle Without Honor Or Humanity followed in November 2024. Darkstar / Top Gun Anthem arrived in October 2026 and carries their film-music arrangements forward. Their debut album, Polifonic, dates back to 2019.

AcousticMusic.News’s curator team: “Winterstellar is a lesson in what two string players can capture with patience. Every layer started as a real performance, and the duo stacked each one in time. The small Vivaldi quotation gives the whole piece a centre of gravity.”

Where to Hear Winterstellar and Follow Pinky Loops

Stream the duo on Apple Music or Deezer.

Follow Pinky Loops across platforms: Spotify, SoundCloud, Instagram, Facebook, TikTok and X.


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About The Author

Will Lisil

Founder of MW3.biz, building technology that empowers creators and democratising access to digital tools.

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