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August 28, 2026

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Brushes Are the Hardest Thing to Record in Jazz

Brushes Are the Hardest Thing to Record in Jazz

Clara Ambrose August 25, 2026

A continuous quiet sound with no transient defeats most of the usual drum recording approach.

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What High Sample Rates Actually Do

What High Sample Rates Actually Do

Clara Ambrose August 25, 2026

The benefits are real and mostly not the ones cited in marketing.

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How Classical and Jazz Labels Actually Earn

How Classical and Jazz Labels Actually Earn

Clara Ambrose August 25, 2026

Small audiences that buy properly, plus licensing, plus a catalogue that never expires.

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Shabaka Quit the Saxophone in 2023 and Has Picked It Back Up
How Classical and Jazz Labels Actually Earn
What High Sample Rates Actually Do
Brushes Are the Hardest Thing to Record in Jazz
Period Instruments and the Pitch Question

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Black and white close-up of Shabaka Hutchings playing the saxophone

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Contemporary Jazz
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Shabaka Quit the Saxophone in 2023 and Has Picked It Back Up

Will Lisil August 25, 2026

How Classical and Jazz Labels Actually Earn

How Classical and Jazz Labels Actually Earn

Clara Ambrose August 25, 2026

What High Sample Rates Actually Do

What High Sample Rates Actually Do

Clara Ambrose August 25, 2026

Brushes Are the Hardest Thing to Record in Jazz

Brushes Are the Hardest Thing to Record in Jazz

Clara Ambrose August 25, 2026

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